Terry Blair, Presentations Chairman
blair.terry@sbcglobal.net
NFMC is proud to list the outstanding winners of Young Artist Awards selected in 2025. For more information on booking these winners please contact Terry Blair listed above. If you are interested in having a Young Artist perform you can download the Young Artist Inquiry form here.
Born into a family of musicians, Misha Galant began piano lessons at the age of six with his mother, Olya Katsman. During high school, he received guidance from Sharon Mann and Yoshikazu Nagai of the San Francisco Conservatory of Music. He went on to graduate from Columbia University, where he studied piano with Joseph Kalichstein through Columbia-Julliard Exchange, while also earning degrees in Data Science and Russian Literature. In 2023, he earned a Master’s in Piano Performance under Dr. Viktor Volkov, followed in 2025 by a Master’s in Atmospheric Sciences with Dr. John Horel at the University of Utah, where he completed a thesis on evaporation dynamics in the areas surrounding the Great Salt Lake. Other formative teachers include Tatiana Zelikman of the Gnesin School in Moscow and Dr. Yu-Jane Yang of Weber State University in Utah.
Misha gave his first full solo recital at age 12 and made his orchestral debut at 13, performing Chopin’s Piano Concerto No. 1 with the Oakland East Bay Symphony. He has since performed with the Fort Worth Symphony, Rochester Philharmonic, Utah Symphony, and the California Youth Symphony, touring with the latter in Austria and Italy in performances of Gershwin’s Rhapsody in Blue. He is a prizewinner of the inaugural Van Cliburn Junior Competition (2015), as well as the Gina Bachauer and New Orleans International Piano Competitions (2024). From 2015 to 2020, he performed extensively across California as a member of the MTAC’s prestigious Young Artist Guild and was named one of two Gilmore Young Artists in the U.S. in 2020. Additionally, Misha is an avid chamber musician and enjoys performing benefit concerts for retirement communities and charitable causes.
Misha’s – YouTube Channel
Cellist William Suh has been acclaimed for his engaging musicianship, dynamically colored playing and artistic sincerity. A recipient of the Aldo Parisot Prize and Broadus Erle Prize at the Yale School of Music, Suh was awarded first prizes at the national Federatino of Music Clubs Young Artists Competition, the 57th Serge & Olga Koussevitzky Young Artist Awards by the Musicians Club of New York, the 50th Hudson Valley Philharmonic String competition, the Aspen Music Festival Concerto Competition, New England Conservatory Concerto Competition and the Music Teachers national Association String Competition. Suh also holds top honors from the New York International Artists Association and Hellam Young Artist competitions. A recipient of the Young Arts Award from the Jack Kent Cooke Foundation, Suh’s performances have been featured on National Public Radio, WQXR and Hawaii Public Radio.
Suh’s recent and upcoming performances feature solo appearances with the Savannah Philharmonic, Kyoto International Music Festival Orchestra, Hudson Valley Symphony Orchestra, and the Aspen Conducting Academy Orchestra. Notable engagements include performances at Jordan Hall with the New England Conservatory Symphony under Maestro Hugh Wolff, Carnegie’s Weill Recital Hall, and the Paesaggi Musicali Toscani festival in Val d’Orcia, Italy. Suh is an Artist Diploma candidate at the Julliard School. He holds degrees from the Yale School of Music (M.M., M.M.A.), the New England Conservatory (B.M. with honors), and is a graduate of the Colburn Music Academy. He performs on a 1714 Giovanni Grancino cello provided by a generous loan from the Julliard School.
Claire McCahan is regarded as a musician of sincerity and versatility, delivering compelling and honest performances across Baroque, recital, opera, and contemporary repertoire. Winner of the 2022 Joy in Singing International Art Song Competition and the 2022 NATS Artist Awards, Claire is an accomplished recitalist, devising programs revealing thematic connection across time and language. She was selected for the 2024 Inaugural Fellowship of the Song with the Cincinnati Song Initiative, working extensively with Margo Garrett. Along with collaborative pianist Barbara Noyes, she co-founded Horizon Duo, dedicated to creative programming of contemporary and classic repertoire. The duo made their New York recital debut at Weill Recital Hall in 2023.
Praised for her interpretations of J.S. Bach, she is the winner fo the 2025 American National Oratorio Competition, an alumna of the American Bach Soloists Academy, and a featured soloist with the Boulder Bach Festival’s first commercial album. She is a recurring performer with the COmpass Resonance Ensemble and has performed in concert with the New England Conservatory Baroque Ensemble, and the Silesian Philharmonic. Recent stage credits include Arias Aloft with Boston Lyric Opera and Opera on Tap Boston, the American premier of George Benjamin’s Lessons in Love and Violence at the Tanglewood Festival of Contemporary Music, Sibella in A Gentleman’s Guide to Love and Murder with Opera Saratoga, covering Cherubino in Mozart’s Le Nozze de Figaro with the Handel & Haydn Society, and Orfeo in an adaptation of Gluck’s Orfeo ed Euridice with Renegade Opera. This summer, she joins the Glimmerglass Festival as a Residence Artist, performing Naomi/Betty in Sondheim’s Sunday in the Park with George and covering Mama Cordero for the world premier of The House on Mango Street. She is a graduate of the University of New Hampshire and the University of Colorado Boulder.
For more info, visit clairemccahan.com.
Pianists Sylvia Hong and Michael Rector began performing together as a duo shortly after being married in 2011. They have played recitals at the Kennedy Center in Washington and the Lotte Concert Hall in Seoul. In April 2014, they toured in Eastern Europe, performing with the Georgian Sinfonietta and Black Sea Symphony. Highlights of their numerous tours in Korea include playing two sold-out concerts on the same day in Busan, and an invitation to perform with the orchestra in the Olympic city of Gangneung during the 2018 winter games. Avid proponents of American music, Sylvia and Michael presented a lecture-recital on the music of Morton Feldman at the University of Music and Performing Arts in Graz, Austria, in 2019. Following extensive research at the Library of Congress, their current project is a recital program and recording of rediscovered 19th-century American compositions for four hands.
Sylvia Hong is known to audiences worldwide as a pianist of imagination and virtuosity. As a concerto soloist, Sylvia has played in Korea with the KBS Orchestra, Mokpo Symphony, Busan Symphony and Suwon Symphony. In her native United States, she has performed with the Washington Metropolitan Philharmonic and Mt. Vernon Symphony Orchestra. She made her debut in the Weill Recital Hall at Carnegie Hall at the age of 16 as the 1st prize winner of the National Russian Competition. Sylvia’s three commercial recordings, all live performances, were produced by the Far East Broadcasting Corporation. She was the Korea Times “Musician of the Year” for 2012. Sylvia credits much of her success to her principal teachers-Lydia Frumkin of Oberlin Conservatory, Lee Kum-Sing of the Vancouver Academy of Music, and Benjamin Pasternack of the Peabody Conservatory where she received her Performer’s Diploma in 2012. She is currently Associate Lecture at the University of Wisconsin-Green Bay.
Michael graduated from the doctoral program at Manhattan School of Music in 2012, where his teacher was Philip Kawin. He also earned a bachelor’s degree from Oberlin College, where he majored in comparative literature. Michael has presented lecture-recitals and masterclasses both at home and abroad, including at China Conservatory in Beijing, the University of Kassel in Germany, and numerous universities and music schools in Korea. His academic research focuses on performance practice and style change, with forthcoming articles in the journals Empirical Musicology Review and Perspectives of New Music. He has also written about piano pedagogy for American Music Teacher, Clavier Companion, and the MTNA e-Journal. He is currently Associate Professor of Music at the University of Wisconsin-Green Bay.
Hector-Hong – YouTube Channel
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